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Soft Cell's Musical Force Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell alongside Marc Almond in Leeds in 1977

Dave Ball, a key member of the pioneering 1980s synth-pop band Soft Cell, has passed away at the age of 66.

Alongside vocalist Marc Almond, the pair scored a worldwide hit with their cover of Gloria Jones' Tainted Love in 1984, and their debut album their initial full-length release is regarded as a seminal work of electronic music.

He subsequently founded the pioneering techno group The Grid, who secured chart success with 1994's the hit Swamp Thing.

Ball passed away calmly in his sleep at his residence in London on Wednesday 22 October, only a short time after performing a featured performance with Soft Cell at the Rewind music event in the Thames-side town.

Recent Health Challenges

At that show, Ball appeared in a wheelchair, as he had for the previous couple of years, after a period of health issues.

"I ended up injure myself quite a bit," he stated in a recent interview. "I fractured lower vertebrae in my spine and fractured about five ribs and fractured my arm."

Following contracting a lung infection and developing sepsis, he was placed in an medically-induced sleep and remained in the hospital for half a year.

Nevertheless, he had been in "high spirits mentally" during the warmer months, as he was developing a new album with Almond, called the upcoming Danceteria, which is set for release in the coming year.

"He was focused and very pleased with the new album that we actually finished only a few days ago," said the singer in a heartfelt message.
"It's truly heartbreaking as next year was all set to be such an uplifting year for him, and I take some solace from the knowledge that he listened to the finished record and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the forefront of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond described his bandmate as "an exceptionally talented creative mastermind", adding: "He was the core essence of Soft Cell and I'm very proud of our body of work.

"Thank you Dave for being an significant part of my existence and for the music you gave me. I couldn't be where I am without you."

Richard Norris from The Grid, also paid tribute, remembering Ball's "constant humor" and "unwavering friendship".

"Being in a duo with someone is distinct from joining a band, the connection is incredibly close," he added.
"That was the case with us. We experienced so many extraordinary, incredible, life-affirming moments together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Formative Years

Brought into the world into a single-parent household in the city of Chester in 1959, Ball was put up for adoption when he was 18 months old.

He grew up in Blackpool with his new family his caregivers, who changed his first name from Paul to his adopted name, together with his sibling Susan, who was similarly welcomed.

He met Almond at Leeds Polytechnic in the late 70s, where they were both learning art. Inspired by a shared love of Northern Soul, they established Soft Cell the very year, and quickly produced an extended play.

Creative Collaboration

The pair were an distinctive pairing: Ball was the reserved technician, hunched over his keyboard, while Almond was a flamboyant performer, all glitter and eye-liner; but they attained a unique musical alchemy.

Ball had developed a fascination with electronic instruments after watching the band Kraftwerk appear on a television program Tomorrow's World, and started to marry moody electronic sounds to the catchy tunes Almond was writing.

Tainted Love became the UK's second biggest-selling single of 1981, shifting millions of units globally. Alongside hits by Gary Numan, Human League and Ultravox, it contributed to paved the path for the synth-pop sound of the 1980s.

The track was also included on their full-length debut, Non-Stop Erotic Cabaret, which spawned two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the stand-alone single, Torch, which peaked at number two in 1982.

Soft Cell in the studio
The duo were working on fresh songs right up until Ball's passing

Professional Journey

Success had its benefits. "I loved being able to purchase my first home, having financial security and travelling, which makes me sound like a Miss World," Ball recently shared with a publication.

But it also caused challenges. "Sudden riches meant we could afford substances to relieve the monotony" of media interviews and TV performances, Ball said.

"I realize that's a common saying, but it's a cliché for a valid cause, because it works for so many bands."

During the party-filled existence, the duo were also growing distant, but they managed to create a second classic album - the unconventional, tense and fittingly named The Art Of Falling Apart.

They put out one more album, 1984's This Last Night In Sodom, before dissolving the band to concentrate on other projects.

Almond proceeded to have a successful individual path, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who combined dance music with melodic sounds over a enduring collaboration.

Reunions and Final Projects

Soft Cell came back together in 2001, releasing the Top 40 record Cruelty Without Beauty.

After a further hiatus, they returned in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a farewell show at the large venue on 30 September, 2018.

However, they stayed active, creating their fifth album, Happiness Not Included, during the pandemic restrictions.

Ball lately described the band's new album as a homage to the NYC nightlife they frequented while making their initial records.

He added that his period in hospital had influenced the band's sound.

"I had strange recollections when I was in and out of hospital because I was on morphine," he told a publication.
"The new songs are a digital reflection of the noises in my mind from those days.
"In parallel, it's about the times we had in the 1980s."

The last versions were completed only a short time before Ball passed away. It is scheduled for release in Spring 2026.

BA
The writer

Brian Adams

Julian Hartwell is a freelance journalist and content strategist with a decade of experience in digital media.

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