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Film Analysis: Band Frontman Jason Williamson Takes On Role in Critical Look at Ecstasy Generation Era

Produced by Portishead co-founder the musician-producer, this scabrous though slight first film turns a sceptical eye on 90s rave culture. Venal drug user David (the actor) initially steals from an passed-out supplier, then in another flashback tries to break into his own parents. Before you can say, he's upside down in the remains of his car in a forest – and subject to the wrathful eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with impatience toward townies, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Grimly Amusing Confrontation

Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his everyday life. The bigger point – that the ecstasy generation were mainly focused on themselves – is clearly conveyed. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Poacher turns up, enraged after David strangles his dog. Still, a grimly amusing duel takes hold – David eager to get away; the Woodsman denying his container of cider, intent on dousing him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Promo-Inspired Vibe

Just a single important plot development, but it results in a hilariously staged chaotic run on the woodland paths that veers toward rural terror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing artful shots of bugs in headlights in the early stages, he now lets rip with the full psychedelic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry.

The film is in UK and Irish cinemas from November 17.

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The writer

Brian Adams

Julian Hartwell is a freelance journalist and content strategist with a decade of experience in digital media.

Focus Source UK

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